"SET of Three Bristlecone Pines"
Original Limited Edition Woodcuts
On VARIABLE handmade fiber papers from nature with deckle edges
Signed in pencil by the artist
Designed, cut and hand-printed by the artist
ALL MATERIALS ARCHIVAL QUALITY AND PERMANENT
Bristlecone Pine, Twisted Bristlecone, Two Bristlecones, 2000
Woodcut Prints
Each Approximately 6 x 4 in Paper Size, image slightly smaller
Edition 200
All also available individually
Block: Cherrywood
Ink: Black
Paper: Various handmade with natural fibers, paper will vary!
Process: Sketched on the field
Each tree always inspires a name at the moment I carve them. Since I work in a series, often while I'm carving one, another one comes to mind and they tend to be naturally similar. Yet each one has a reason it came to mind; did I stop there to admire the view? or to catch my breath (more likely!)?
These are many smaller woodcuts that I use as "sketches" to hone skill in capturing the woodcut essence in the desert around me. I usually take a bunch of little blocks in my backpack the way other artists take a sketchbook. A magic marker is my weapon of choice as it allows me to sketch quickly and capture the quirky shapes of desert flora and the awesome darks and lights of desert landscapes.
Suitable for smaller frames, these make great gifts framed or unframed.
Original Limited Edition Woodcuts
On VARIABLE handmade fiber papers from nature with deckle edges
Signed in pencil by the artist
Designed, cut and hand-printed by the artist
ALL MATERIALS ARCHIVAL QUALITY AND PERMANENT
Bristlecone Pine, Twisted Bristlecone, Two Bristlecones, 2000
Woodcut Prints
Each Approximately 6 x 4 in Paper Size, image slightly smaller
Edition 200
All also available individually
Block: Cherrywood
Ink: Black
Paper: Various handmade with natural fibers, paper will vary!
Process: Sketched on the field
Each tree always inspires a name at the moment I carve them. Since I work in a series, often while I'm carving one, another one comes to mind and they tend to be naturally similar. Yet each one has a reason it came to mind; did I stop there to admire the view? or to catch my breath (more likely!)?
These are many smaller woodcuts that I use as "sketches" to hone skill in capturing the woodcut essence in the desert around me. I usually take a bunch of little blocks in my backpack the way other artists take a sketchbook. A magic marker is my weapon of choice as it allows me to sketch quickly and capture the quirky shapes of desert flora and the awesome darks and lights of desert landscapes.
Suitable for smaller frames, these make great gifts framed or unframed.